Monday, October 28, 2013

What is letterpress printmaking?

Ummm... to explain the  e v o c a t i v e   w o r l d   o f   l e t t e r p r e s s   printmaking in a nutshell. 

It's a metamorphis of highly trained skills, then and now, trying and failing, patience and determination, 

a crisp and luxurious impression,

within slow cook printmaking.

H e r e' s  a   q u i c k   l i t t l e   h i s t o r y   l e s s o n..

Moveable type was first developed by Bi Sheng in 1040  in the Song Dynasty in China. Although Sheng was progressive with getting the word out it involved a lot of labour in their extensive alphabet system so on the other side of the world a Johannes Gutenburg invented the printing press and independent movable type system...and a smaller anglo saxon alphabet.

A different cleverness Johanne knew that it would create a renaissance in spreading the thoughts and intellectual ideas to the world, rather than time consuming hand writing.
It meant the monks in monasteries could have 
more time to tend their medicinal gardens.



W h a t' s    m o v e a b l e   t y p e   y o u   a s k?

Well it's the individual letters and numbers that are either made up in wood or metal and assembled to create your dialogue and held in place by gadgets called coins and popped into a metal chase, then popped again into the press.

It all has to line up elegantly, be spaced beautifully and be enticing to the eye. 

It takes time and a whole lot of practice and patience.




Nowadays letterpress printers combine this with photopolymer plates, which means we can use our drawings and artwork, simply by making the plates in our darkroom.

You can see our tutorial on how we make our own plates
because we believe in thoroughly understanding our artisan industry as a whole.

T h a t' s   h o w   d i s c o v e r i e s   a r e   m a d e.






Our Gordon Platen Press is then set up with ink, all portions of the printing surface will strike the paper with the proper pressure, which gives a crisp, luxurious impression embedded into the paper 
on our 100% eco sustainable cotton german 600gm board.

This is where the patience and determination comes in, because no matter how
many times you have this experience of printing and your skills are honed in, there more than
often is troubleshooting, which ask any letterpress printer and they will nod 
their head in an agreeable smile.

The alignment of plates and equal pressure of the ink placement can try and undo you some days and it can be like a disagreeable teenager, only you can't send the press off to the bedroom, it's having the years of experience behind you to sort it out.

After inking up...

Paper is then hand fed one invitation at a time through the press and at the same time pedaling the foot up and down, concentrating while the large flywheel spins 
until the desired number of printed copies are obtained 
with crisp lines, patterns and typography.

One has to watch their fingers and it's all in the  r y t h m n.

 To bring out the best attributes of letterpress printmaking one has to have a full understanding of the capabilities and advantages of what can be a very unforgiving medium at times.

But  w e   a r e   i n   l o v e  with the process,
(custodians of the authentic)
both its cranky, frustrating and the seamless happy days of printing.

SLOW COOK PRINTMAKING
HILL END PRESS




Saturday, October 19, 2013

There's a toffee moon in the night sky

I'm sitting here looking out the window
and the moon is the colour of toffee.

The bushfires in NSW, all up and down the coast
have been horrific. Many people have lost
their homes. 

My brother at Mt Tomah is ready to go,
the fires are hovering a few kilometres at the
back of their land.

He has cleared as much as he can the land
around his very special property
where he has developed and bred rare
 irises, camelias and many
very rare plants from China.

Craig has the patience of a saint, sometimes waiting
years to see his achievements in
developing new varieties of plants.

Fingers crossed they and others will be safe.

For myself today,
I got stuck into painting my still lifes.
It helped to distract myself from
the fires.
It's the perfect meditation.

And ate broad beans on toast.



Thursday, October 17, 2013

Working Spaces

Hey, we are pretty excited.

Australian photographer Martyn Thompson whom has lived in New York for the past 25 years
has just launched his new book called 

Working Spaces

and he has included Hill End Press
in it.

We haven't seen or got our hands on a copy yet
( oh for living in the country)
we are  i t c h i n g  for ours to arrive in the mail.

So it's so lovely to have this acknowledgement 
of all our hard toil,
putting back together our
delightful little 1872 cottages & studio
here in
Hill End
*